Maia Calls Dances

I would say I’m alllmost recovered from the all-nighter I pulled this weekend calling the graveyard shift (4AM–7AM)—but heck, what a blast! Here’s the program I called (most of these walked through minimally or not at all):

Last weekend, I called my first techno contra (as part of a double dance at CDNY to celebrate the wedding of two of our lovely dancing humans 😍). It turns out, to no one’s surprise, that calling techno is a fair bit different from calling a regular evening dance. Here are my reflections on calling my first techno (including a bunch of great advice from folks on SharedWeight’s Callers’ Listserv).

Hey experienced contradancers! Have you been looking for a new way to contribute to your dance community? Here’s one that I’ve been trying. It’s really small, and has the potential to make a really big impact on the quality of our dances, especially as more and more of us get on board with it. Ready? Here it is:

Be quiet when the caller starts talking, and don’t talk through the walkthrough.

I’ve been contradancing for over eight years, and can jump into even the most complex and falling-apart of contras and still have some idea of what’s going on. But last summer at English-Scottish-Contra Week at Pinewoods, I tried Scottish Country Dance for the first time and I had an experience I haven’t had for quite a while: I was completely at sea in a set dance.